I confess I have been avoiding work on the unfinished first draft of my science fiction novel, Jupiter’s Embrace. In an attempt to get the creative process going again, I’m using characters from Jupiter’s Embrace to respond to some flash fiction writing prompts.
Swallowing a sleeping pill, Johnny set no alarm, hoping for dreamless oblivion. His first time at the helm was disastrous. The smuggled goods were delivered, but there had been an unexpected complication. Embarrassingly, inexperience and indecisiveness nearly led to failure.
The comm call triggered the dreaded dream.
Eight-years-old, bewildered, awaken by yelling, he climbed from bed. Edging toward sounds of struggle, suddenly, a hand covered his mouth, stifling a yelp. His older brother carried him away from the commotion.
Johnny focused on his older brother’s face, trying to understand. Hiding, they waited. Demands and protests grew louder. Threats were made.
“Shh! Bad guys broke in wanting money. Mom and Dad are taking care of it.”
Trembling, Johnny held onto his brother and prayed. The struggle grew desperate. Blasters fired. Riker pushed him threw the bedroom window.
“Run! I’m right behind.”
Drenched in sweat, heart-racing, Johnny awoke with a start. He swore. Standing up, he instinctually gazed out the porthole into the blackness of space. Swiping the comm open, he was surprised to see his brother-in-law. His face was serious; worried.
“Amelia? Jack? They ok?”
“Yes. But, Riker. He’s in Sol Corp custody. There’s been a military tribunal. Riker’s been convicted of being an alien, Rangari spy! Sentence is life on Jupiter!”
Johnny broke into a cold sweat and tried to swallow the taste of bile from his mouth. He realized for the first time in twenty years, he was praying.
If intrigued and seeking more, click the link below to the first two chapters of the story.
Review of AppleTV+’s Television Series Based on Isaac Asimov’s FoundationTrilogy.
Some prefer to read the book first; others are drawn to the sounds and visuals of a television or movie adaptation. There will be discrepancies in the telling of the story with the transition from one medium to another and fans will champion their favorite version. But, avid disciples will take pleasure in any opportunity to immerse themselves in their favorite fictional world. If rooted in exploring the human condition, built around archetypal motifs, a tale’s emotional appeal will be timeless.
If a story is a bit older, less well-known to the current generation, reintroducing it visually can be more successful. I’ve heard of the science fiction trilogy, Foundation, but never known enough to entice me to read it. Big mistake on my part, I suspect! At least that’s how I’m feeling now having seen the first part of a brand-new television adaption of the story. Just as the trailer for Star Wars captured my attention back in 1977, it was the trailer that lured me in.
Eagerly anticipating last Friday’s premier, I allocated a portion of my Saturday toward sitting too close to the screen, volume high to watch the first episode. AppleTV+’s Foundation trailer had haunted my imagination for weeks with glimpses of beautiful imagery of otherworldly skies, dominated by multiple moons, differently colored suns or planetary rings. I was not disappointed. The style of the costuming and set design felt authentic; organic. The intro sequence conveyed a sense of grandeur and modernity reflective of the art from the early twentieth century art deco movement.
Isaac Asimov, along with Arthur C. Clarke and Robert A. Heinlein, is consider a member of sci-fi’s “Big Three”. These authors popularized science fiction, while setting the standards for the genre. This was my first exposure to Isaac Asimov’s, Foundation Trilogy. I instantly fell in love. Despite reading one of his first novels and enjoying it, I never read any of his other writing. I was simply overwhelmed by his prodigious collection of work. I wondered to myself, should I read his books as they were published or according to the fictional chronology of the galactic empire he invented. The former path felt choppy; the latter was honestly difficult to map out. Just browsing through Asimov’s bibliography can be daunting.
As a budding author myself, I am beginning to understand a writer’s ideas, plots and characters often take control, dictating what is to be written next. Asimov appears to have explored his universe from a myriad of angles, using various unconnected plots and a multitude of characters. I propose fictional writers act as pseudo-archeologists sifting the sands of the mind, hoping to uncover clues revealing unknown worlds. This first ever adaptation of Foundation for television helped me discover how desperately I want to read more of Asimov’s novels.
The first episode commenced with introducing Gaal Dornick, a young mathematician, living on a planet governed by a theocratic society outlawing the pursuit of science. Gaal is punished, excommunicated and sentenced to death for solving an enigmatic mathematical problem. Offer of aid comes from a famous, off-world scientist on Trantor, the imperial capital planet. The Galactic Empire has reigned for 12,000 years, developing an advanced futuristic society. The immensity of the empire is possible due to its ability to warp space and time, allowing people to jump the vast distances between star systems. Gaal travels to meet her scientific idol, psychohistorian, Hari Seldon. Believing she has found a safe environment to further her mathematical studies, she quickly learns she has come too late. Imperial authorities may support, fund and celebrate scientific discovery, but not when the facts predict a future unpalatable to those in power. Seldon’s recent work warns of a looming, catastrophic collapse of civilization across the entire galaxy. Empire, the supreme ruler, who in reality is a trio of clones, refuses to accept the science behind Hari Seldon and Gaal Dornick’s work. Arrests are made, court and legal proceedings are held and both are charged with treason.
If you have followed my blog from the beginning, you know I view storytelling, as a means to exploring life, because fiction is always reflective of the real world. From the onset, this story felt incredibly relevant to our world’s current situation. Amazingly, Isaac Asimov started work on Foundation during the middle of the last century! But, it still seemingly anticipates today’s clash between governments and the scientific community. On one side, scientists are sounding the alarm, warning action needs to be taken to avert devastating, changes to our planet. An opposing group of multinational corporations and politicians, fearing loss of profits and control of society, challenge the legitimacy of scientific reports. The battle over what is fact and what is fake is relentlessly. The end result is a confused and conflicted populace longing for a clear, unbiased insight to inform their own decisions and actions. I haven’t read or seen the entire Foundation Trilogy yet, so I don’t know how it ends. Of course, none of us knows how the current conflict over global climate change will play out either.
Isaac Asimov’s work also harkens back to elements found in human history. The name of the story Foundation comes from a line spoken by the character Hari Seldon. When asked if the crisis can be averted, he explains the looming catastrophe is inevitable. But, he offers a glimmer of hope. Seldon explains steps could be taken to build a repository of all the most treasured aspects of civilization. This cache of essential information would act as a foundation on which survivors of the empire’s collapse could build on. The goal being to shorten the times of darkness. In essence this was a role played by religious monasteries throughout Europe during the Dark Ages preceding the fall of the Roman Empire. Even the famous library at Alexandria is alluded to in Foundation. Hari Seldon recognizes that when the collapse comes the Imperial Library on Trantor will burn, just as the real life Alexandrian library did.
Graham Handcock, a modern day scholar theorizes a similar, tragic erasing of a civilization happened on Earth. He argues an unknown ancient society existed far earlier than mainstream historians and archeologists allow. His books, Fingerprints of the Godsand Magicians of the Gods, lay out his proposed evidence of a forgotten, advanced, global civilization destroyed by a cataclysmic event. Scrutinizing clues found in myths, ancient texts and architecture, he believes survivors from this forgotten civilization, safeguarded their knowledge, hoping to pass it on to the less advanced remnants of humanity. He argues the theme of a helper race of gods or angels is present in all of the world’s mythology. Approaching this idea esoterically, Edgar Cacye, a clairvoyant in the early twentieth century, famously claimed to have remotely viewed a secret chamber beneath the Sphinx in Giza, Egypt. The existence of a subterranean room beneath the Sphinx has been confirmed with modern, remote-sensing equipment. Interestingly, no requests to explore it have been approved by Egyptian authorities. Cacye declared the chamber held lost knowledge leading humanity to the Atlantean Hall of Records. This mystical repository of knowledge is rumored to provide access to technology more advanced than what we current possess today. Yes, strange as it may sound, there are intelligent, serious people ] searching for a real “Foundation” created by a destroyed, advanced, prehistoric human civilization.
I have no idea if there is any truth to tales of Atlantis, but the story itself is rich, full of hope and a jumping off point for the imagination. Presumably, Isaac Asimov knew of this well known myth told to us by Greek philosopher, Plato. Perhaps, he had even heard of Edgar Cayce’s clairvoyant work. However, I do know Asimov was a scientific thinker and serious scholar gifted with an imaginative mind. This scientific background coupled with a vibrant imagination makes Isaac Asimov’s work authentic, informative, and enjoyable. I suspect, he would agree that pretending, thinking outside the box and wondering about impossibilities leads to amazing real discovers. Fiction does truly empower creativity. I entreat you to read it, watch it, write it and dare you to challenge the limits of what is possible.
Last I checked, you still can’t get something for nothing at the “Magical, Paranormal, Special, Super Powers Store”! It’s downright outrageous… the prices they’re asking fictional characters to pay these days! Oh well…limited supply; great demand will inflate prices. Previously, I explored the tedious path of exhaustive studies to gain greatness. I also talked about sacrificing something greatly valued, as another way to secure fantastic outcomes or abilities. Now, let’s consider magic with “strings attached”! There are some delightful examples of “items of power” harboring evil intelligences within. These hidden presences patiently wait with deadly agendas and excessively, domineering wills all their own.
Something deep within the human psyche seems to enjoy a good fright, especially, if couched safely and comfortably within the bounds of a story. The sheer quantity of books, television shows, and movies narrating the exploits of supernatural evil elements attests to this fact. Many presume fantasy focuses solely on the eternal struggles between good and evil and expect to be regaled with scenes of epic battles. Yet, there are many tales about subtler forms of malevolence wrecking havoc, if not more! Within these sinister plots, woven throughout, are tantalizing snares attractive to those thirsty for power. Fair-faced villains cajole, bargain with or outright trick characters into promising payment in return for the bestowal of unnatural gifts.
An absolute favorite character of mine, Elric of Melniboné, was created by Michael Moorcock during the mid-twentieth century. Elric is a weak, albino prince, who hails from a mighty sorcerer race. He is reliant on an endless supply of potions and magic only just allowing him to live a stilted, embarrassing existence. Complicating matters, there is a cousin eager to usurp the imperial throne and have the woman Elric loves. Additionally, the people Elric presides over find him odd, even distasteful as a ruler. Needing to find a way to remedy his inborn weakness, he forges pacts with chaotic gods to rid himself of his frail constitution. This leads Elric to a demonic sword aptly named, Stormbringer. The sword grants Elric strength, vitality and great power, but only if he kills and feeds the sword souls. The blade, having an insatiable appetite, demands ever more. Its evil nature yearns to feed on everyone Elric holds dear. He is dependent upon the sword, yet abhors the evil acts it demands. Initially, the perfect solution to his problems, it ultimately brings much ill to Elric. The books are difficult to obtain now, unless you enjoy graphic novels. But, it’s worth the trip to your local library! Thankfully, later this year, the series is being reissued by Tor Publishing!
The mythos of a crossroads demon is brought to life on the television show, “Supernatural”, with enormous dramatic appeal. These diabolical fiends will grant a person whatever they wish, in return for the person’s soul at the end of a set period of time. They are attracted to intense desire for fame, fortune, power or other desperate worldly yens. “Supernatural” uses a legend surrounding the late, famous blues musician, Robert Johnson, to introduce these demonic characters to the series’ storyline. Johnson burst onto the music scene, seemingly out of nowhere, quickly garnering accolades and fame in the early twentieth century. Popular opinion at the time insisted only a pact with the Devil could account for such an overnight success. His death at a relatively early age only fueled speculation and added credence to this tale. An episode of “Supernatural” begins depicting a frightened, bedraggled Robert Johnson hiding, late at night, in a small, isolated, ramshackle shack. The agreed upon period of ten years has transpired and the time to pay for his unnatural musical talent has come. Doors locked, lights all on, salt on the floor to bar out demonic forces, he sits with a rifle. All the precautions are all to no avail though. Invisible, sulfuring-smelling, giant dogs prowl outside the house. These are the hellhounds of myth. Well…you know what happens. The demons penetrate Johnson’s defenses and his soul is devoured, right on schedule.
Even Disney writers frequently dip a hand into the murky waters surrounding bargains with evil. A recent example from the plot of the animated movie, “The Princess and the Frog” contains a refreshingly, new look at magic and the desperate promises one make to obtain it. Doctor Facilier, a practitioner of dark voodoo, is a greedy man with high aspirations. His target is a wealthy, young prince. Facilier attempts to entrap the spoiled, foolhardy royal. But, working with magic usually caused things to go awry and this time is no different. The prince escapes, but not before being turned into a frog. Facilier requests further aide from evil voodoo spirits, vowing to hand over to the otherworldly forces all the souls they desire, once he is in control of New Orleans. Flush with supernatural assistance, he banks all his hopes, putting into motion a plan guaranteeing dominance over the people of the Big Easy. Failing to outwit the protagonists, Facilier is doomed to repay his “friends on the other side” the only way he can. The villain is devoured, body and soul by the spirits. Not an easy scene for an adult to watch, let alone a youngster!
I would be remiss without mentioning the One Ring in Tolkien’s, “Lord of the Rings”. The gradual devouring of Sméagol’s “humanity” is elegantly evidenced. Despite being initially taken in by the insidious glory of the master ring, the hobbit is, temporarily at least, an effective foil to Sauron’s plan. Perhaps, it is his simplistic, pastoral mind which prevents him from seeking vast power over countless others. Yes, Sméagol does initially create trouble for his small community, but ultimately chooses to run off and hide with his Precious. How different and interesting would it be if the character, Sméagol, was more worldly and learned. What if he held a place of prestige and authority within his river dwelling hobbit society? We could assume, he would have taken control and ruthlessly used what meager resources they had to expand his rule. But, how would it have looked? Perhaps, Sméagol and his fellow stoors would have sought to create a powerful, mercantile enterprise controlling the trade along their river? Would the ring have tolerated such a diminutive exercising of power? Certainly, Sméagol’s cruel, domination of his fellow hobbits would have attracted the attention of Sauron and the Nazgul would easily have recovered the ring.
But, despite Sméagol pouring his heart, soul, love and very essence into the ring, he doesn’t seem desirous to master it or wield it. Rather, the ring becomes a bosom “friend”, ally, and confident for the river hobbit. I would suggest the ring replaces the friend Sméagol kills to obtain it. It seems our poor hobbit might have had a shred of a conscious at one point. Nevertheless, Sauron is still able to conquer Sméagol, who becomes twisted, demented and wholly enslaved to the ring. Becoming ever more jealous, delusional and distrustful, he is unwillingly to share the ring and convinced there is a constant threat to his possession of it. Sauron’s master ring utilizes these character flaws to dominate Sméagol and Gollum is born. In turn, the hobbit is able to become invisible and lives far beyond his natural lifespan. But, it is the ring itself that Sméagol desires, not power or riches. This appears to be something Sauron never anticipated…an individual uninterested in commanding the latent, immense power the ring held. Sauron’s failure to anticipate others could resist the ring’s allure, simply because they did not desire power, was the only weakness Gandalf and the WhiteCouncil are able to use against him.
The master ring is the prime example of an evil object of power hiding behind a beautiful facade. Interestingly, Sauron, himself, was at one time able to mask his treachery in fair form and with silvered-tongue speech. But, he lost this ability when destroyed with the men of Númenór, long before the events retold in the “Lord of the Rings”. I recommend reading J. R.R. Tolkien’s true masterpiece, “The Silmarillion” to learn about the origins of Sauron and the rings of power he created. The master ring, Sauron created, was truly master of all! One has to ask was it the ring that was wielded or did the ring wield the wearer? The one ring, in a sense, ensnared even its creator, who poured so much of his own essence into its making, he ultimately couldn’t properly survive without it. It boggles the mind!
In part three of Magical Economies, I’d like to consider those character willing to sacrifice everything, even themselves, to purchase magnificent gains in magic or power to defend and save others.
“You can’t get something for nothing.” is an old familiar saying. Consequently, anything worth having in this world is only gained with hard work, sweat and even a few tears. If one is lucky, the work required is well-suited to one’s sensibilities and becomes a joyous labor. Yes, there are people who live easy, by subjugating others or perhaps on inherited wealth. This is the exception though rather than the rule. Until limitless energy, endless supplies of raw materials and free labor (without any human cost) is discovered, everyone must exert effort and spend time to receive material gain. No matter how small the desire, it necessitates some form of sacrifice. Yet, the setting of a fantasy or science fiction story distorts, weakens or altogether negates this maxim. Readers can enjoy immersing themselves in a world full of magic or advanced technology (and with a willing suspension of disbelief) feel as if anything is possible. For example, the replicator, from Star Trek: Next Generation, is an interesting story element often paid little heed. With ample supply of energy this device allows humanity to instantly order up any form of matter desired. Viewers see the characters use this technology primarily in the storyline to order food or beverage at a moments notice. But, I don’t see anything limiting this ability, so long as the desired specifications for an object are inputed. In this futuristic, utopian setting, humans now have no need for money. There isn’t anything to be bought. There is an endless supply of essentially anything, provided the technology is available and sufficient energy. And there it is! The limiting factor remains. My musings have brought me back full circle. “You can’t get something for nothing.”
Let us contemplate how magic is typically portrayed in a story and think about the rules governing its use. There is almost always an economy of power dictating, when, how often and in what fashion magic is used. It is a very rare to find an example of a character with unlimited magical powers. Effortless use of magic tends to be found more often in tales written for youth or when the story’s purpose is to entertain. Consider Bewitched, a 1960’s sitcom featuring the character, Samantha, a good-natured witch living as your average suburban housewife. She can do practically whatever she wants with only a twitch of her nose and pointing her finger. I Dream of Genie replicated this format, simply replacing the witchery with the all-mighty power of the jinn. Of course, it was necessary to have some limitations to their powers, otherwise there would be no struggle to drive even these simplistic plots. The shows were light-hearted comedies. The audience wasn’t looking to see “under the hood” at the magical engines. There was not mention of how the magic worked. It just did.
Magic begins to be more reflective of real life attitudes and values when encountered in highly developed fantasy settings. Ultimately, the existence of magic, supernatural powers or sci-fi technology gives an author great fodder to be used in tackling heftier topics. But, before dipping our toes into a more serious discussion, let’s look at the motif of magic as an arcane study. The Harry Potter series veers closer to a more believable rendering of magical power with the J. K. Rowlings’ fabrication of a “school for magical arts”. In Harry’s story, the magical world is able to perform great feats, but only with intensive study and lots of practice. Genetics is a bit of a wild card for Rowlings’ characters. Not unlikely in sports, some are just born with more raw talent.
Many RPG gamers, from the 1970s and 80s, undoubtedly feel familiar with what is presented in J. K. Rowlings’ books. The magic-using character classes designed for play in Dungeons and Dragons also follow this path. Magic-users must travel and adventure in order to gather treasure and experience to make their magical studies worthwhile. Just like Hogwart’s students, these imaginary characters shop for magical items, gather spell components and commit to memory obscure knowledge. They too, early in their careers, are limited in terms of the magic they can successfully perform. Further constraining their power, once a spell is discharged it must be painstakingly prepared again. The cycle of study, researching, memorizing, and obtaining additional magical component is never-ending. The rules and mechanics of the game are complicated and at times frustrating, yet they give it life and purpose.
The source of power in our world is readily attributed to science, technology and other educational endeavors. But, what does one resort to when the mundane ways of getting something we want fail? Depending on how important it is to us, we might find ourselves turning to a faith-based solution. After all, the miraculous requires the intervention of something extra-ordinary; better yet, supernatural. Thus, we pray, beg, plead and bargain with any higher power, we feel might listen. Perhaps, skepticism is high and faith low. Submitting our laundry list of requests, we already expect disappointment. In small matters, we accept the silence, thinking “something” beyond us must know better. We console ourselves, proclaiming the ill we endure will ultimately lead to a better opportunity unasked for. Yet, what happens when the request involves grave or dire circumstances? One may desperately offer to sacrifice anything for an answer to their prayer. This need causes people to recite or perform lengthy religious formulas, fast, abstain from all-manner of things, exorbitantly give alms, devote all their time to charitable works and even subject themselves to pain, in an attempt to cajole from the heavens speedy, effective aid.
Religions evolve from the desire to ward against and make sense of the evils and misfortunes of this world. Proffering a sacrifice to buy salvation is the ultimate result. It is here one finds the crux to why humanity invents and tells stories. We use fiction, as a means of mulling over our circumstances, as mere mortals, and in the process map out a remedy for it. Our favorite characters, settings and plots help us to cope with the ravages, this indifferent life can put us through. A vivid fictional portrayal of this is found in the popular television series, American Horror Story. The Coven season depicts, Marie Laveau, a voodoo priestess, performing a powerful fertility spell. A component to the ritual requires Laveau to ingest, straight from the fire, the hottest type of chili pepper in existence. The character professes her belief that displaying a willingness to suffer will cause the spirits to “sit up and take notice”. Watching the scene, one wonders what circumstance in the real world would make us willing to suffer so greatly. It’s only a story some might say, but cultures in the not-too-distant past ceremonially slaughtered individuals as offerings to obtain a greater good for the many. Modern society abhors the notion of human sacrifice, but elements of the practice remain. We have offered to the gods the choicest animals, other valuables, arts or the best share of harvested goods. What was presented mattered not as long as it was the best, the most beautiful and invaluable.
The idea of only gaining great power through an immense sacrifice is central in many high fantasy plots. A well-known example from current pop culture is the story of the arch villain, Thanos, from the Marvel Universe. He seeks an unimaginably, powerful artifact. The bearer of this item is able to alter the very fabric of time, space and existence. His goal is to reorder all life in the universe. Thanos has an interesting perspective of the known, physical world. He is haunted by the suffering of those too weak to grab their fair share of what they need to survive. He sees over-population throughout the universe and resulting scarcity of resources as the root cause of war and conflict. In order to ensure a more peaceful future, he embarks on a quest to gain the power to eliminate half of all life in the universe. Interestingly, the notion of wanting to bring an end to warring over resources and providing all with ample living space is a noble one. But, his willingness to sacrifice trillions or more is misguided to say the least. It is an evil plan of immense proportions. It is worth pointing out, one can readily identify shades of this scheme within our own human history, which is full of instances of ethnic cleansing and wars for living-space. The implement Thanos is seeking is a gauntlet powered by “magical” stones. They must be collected and inserted into the glove. One of the stones needed, to complete his plan, can only be obtained by sacrificing someone he loves. Knowing her father to be cruel and always self-serving, his daughter believes Thanos has failed. She is convinced he is incapable of love. Any villain, worthy of the title though, is complex and harbors within good intentions long laid aside; even love. To everyone’s dismay, Thanos does gain the stone because does love his daughter. In a perverse fashion, he is committing a great act of love, self-denial and sacrifice. Tragically, Thanos’ ability to parse good from evil is eclipsed by his fanatical devotion to his belief that he is actually saving the universe.
Next time…I will explore characters, who gain magical or supernatural power by making sinister bargains with the darker forces in fiction.
Do you enjoy fun and comedic characters who absurdly can do just about anything? Know about other stories of magic/power involving characters who study and refine their craft at a school, academy or as an apprentice in a guild? Lastly, share with me your favorite story-lines in which a character must sacrifice something they hold dear or someone they love to access magic/power.
Not much to say…just posted chapter two. Looking to see if you all feel like you are starting to get some more depth to the characters Riker and La Croix.
Do you feel that the circumstances are believable?
What do you think of the flight briefing doling out the assignments to the pilots? I especially enjoyed writing that part.
Let me know if you were confused at any point while reading.
Is Riker too much like Han Solo? I’m trying to avoid that! Never felt Lucas allowed Han to develop enough in the movies. Some of the book series, the ones “no longer canon”, do paint a more angsty and dark side of Han Solo. I’m trying to go more for a character who lives a life of crime, but has a hidden, often neglected desire to do good. Probably will need to explore more his relationship with Sean and figure out where his kids came from etc.
Am I painting enough tension with the impending shuttle transfer of Riker to the orbital station above Jupiter?
Lastly. Is it clear that family, clan, cartel, syndicate are all different ways of referring to the crime organizations that compete to control the drug trade?
Hello to friends and family. As you all know I have been writing. Finally, I have dropped the first chapter to a book I am trying to author. I know many of you may not instinctually gravitate to science fiction. Hopefully, you’ll take the time to give it a serious read. I assure you I will appreciate it. This is a rough draft. It shouldn’t get too wide of an exposure out there on the internet, so I feel a bit more comfortable publishing raw on my website.
I’m open to feedback. I’m curious to see how you react to things like names I’ve used for characters, places and various items in this story. I’m not wedded to any of them. Let me know if the pacing and balance between description and dialog works. Do you feel a connection with any of the characters? Are they believable? The name of the book is tentative of course.
If I subconsciously wrote too close to some other story you know of please, please speak out. It’s hard sometime to know if an idea has come from something read or watched years ago.
Anyone with military experience I would love to get your opinion on the ranks I use for characters. I really was grasping when deciding how to title officers etc.
You’ve just downloaded a promising new book, found a comfy place to read, have snacks close by and are reasonable sure that no one will bother you for a while. Or perhaps you are old school and have an actual “book”. You hold it, take time to look at the cover, flip through the pages quickly to get a better whiff of the smell of the paper and the ink and then…you crack open the book with that satisfying sound of the spine of the book snapping. Ahh, enjoying the art of reading can be one of life’s simplest pleasures. For us fantasy and science fiction aficionados the thrill of losing ourselves in a brilliant, exciting unknown world with unbelievable technologies, super powers or magic is an addiction. There is always room for a new hero to cheer on as they battle the forces of evil! I’d like to spend some time talking a bit about those bad guys. Let’s put aside for a moment, the main actors. They get the best lines, the coolest powers and more often than not find a way to survive no matter what befalls them. Let’s examine a bit closer the role of the little guy, the minion. They are the poor ones that have to stand in the front row as the powers of good advance. In film and print they are usually dispatched with little effort or regard for who or what they are. Now I enjoy a good battle scene just like most, but let’s consider how these characters are portrayed. Entertainment is influenced by money, hype and flashy effects. Often the bad guys serve only one purpose and that is to give the good people targets. Subsequently, the costume designs, meager backstories and physical characteristics seek to eliminate any hint of individuality or self-worth. Yet, I wonder if one digs deeper into a fantasy world is it possible to garner a better understanding of what motivates the hordes of evil?
It feels right to begin with the Star Wars saga. Stormtroopers. Where to start? When George Lucas began it seems clear he had a larger back story, but had no idea how much of his space opera would actually make it to the screen. Stormtroopers are faceless, featureless, nameless. We get a hint that they might all be the same build when Princess Leia remarks that Luke is a bit short to be a stormtrooper. There is mention of a clone war, but I certainly had no idea what a clone was when I first saw Star Wars. I wonder how many did? The stormtrooper design works great for what Star Wars was in 1977. As the concept was allowed to evolve decades later, we learn what stormtroopers were. Honestly, the idea of clones is not really an improvement since these minor characters are manufactured and can simply be replaced. There is a reality that most fantasy/science fiction tales have a lot of violence in them. Dehumanizing the slaughter of the enemy makes it easier to read. I get it. But, the interesting thing about the Star Wars franchise is, as it became larger than any one story arc, a myriad of writers have set out in many new directions. It isn’t as simple as good and evil anymore. I highly recommend to anyone the animated Clones War series. I like this tv show for many reasons, but I really appreciate how the show addresses war, military conflicts, causalities and most importantly how the clones truly are individuals. In a way that couldn’t happen in a movie, the series shows how the clones name themselves, cut their hair different and have differences in their personalities. It humanizes these characters and changes the whole feel to the battle scenes. Deaths are mourned. The stormtroopers show emotions. The end result is a story that is more authentic and forces us to reflect on our own world’s troops, wars and the value of life.
J.R.R. Tolkien wrote The Hobbit first and then The Lord of the Rings. Most people do not realize that his true work wasn’t published until after he died. The works he is famous for are spin offs from the central story he had hoped to create. I will forever be enthralled with his attempt to fashion a whole mythology and history for his world. Again we do find ourselves confronted with enormous battles and loss of life. This is through and through an epic tale of great powers battling over the control of the destiny of creation. Tolkien employs a different technique to make the killing of the enemy more palatable to the reader. The orcs or goblins are grotesque, disfigured, ill-kept, unmannered, uncultured, foul-tempered …you name it…they have all the most horrible qualities. I am a person who tends to abhor violence in the real world. I champion the call to allow people the chance to redeem themselves when they have erred. So, what’s the deal with these orcs, trolls, goblins? Were they always this bad? Where did they come from? Being raised Christian, I realize geez…Jesus would probably be hanging out in the orc’s den trying to get them to shape up. I say that somewhat in jest, but I think you get the point I’m driving at. If a reader takes the time to branch out and explore more of Tolkien’s writing, one is shocked to learn that orcs are actually elves. Say what??? Yes, it’s true. Deep in the earlier ages of time after a cataclysmic war between powerful angelic-like beings, the forces of good didn’t really win. They withdrew into a fortress realm to guard against the armies of evil. It was a truce of sorts. The world where elves and men were to appear was left in darkness and all but abandoned. Melkor, an exceedingly powerful demonic being, was ever watchful, waiting for the appearance of the elves. He lied to them presenting himself as friend. He betrayed them and dominated many. They were enslaved and their very nature was twisted into the hideous form of the orc. The equally noble ents are the source material for the creation of trolls. No wonder the orcs, trolls and goblins are they way they are. They hate what they have become and hate anything reminding them of what they lost. Tolkien tells this tale, but does not explore the concept of salvation or remedying this corruption. One has to wonder if slain orcs go to the Undying Halls to await the end of time with the elf spirits. I get the sense Tolkien felt orcs had been damaged beyond any hope of restoration to their original beauty and dignity. Makes me think of how our own world collectively has groups of people it considers twisted beyond deserving the hope of rehabilitation. I would encourage all to take the time to read Tolkien’s masterpiece The Silmarillion. It gives The Hobbit and The Lord for the Rings more clarity and a greater sense of purpose.
So, I return to my poor minions. The message I am trying to impart is these armies of minor characters serve a purpose providing friction against which the hero strives to overcome. They are essential elements which if absent make for no conflict; no story. But, I am eager to find more authors that bring to bear the complexity of hard ethical questions about the value of a life into their writing. I hope, as I begin to contemplate my own villains and legions of bad guys, I can convey hints at least as to why they act so horribly. What will motivate them to walk the dark path? If you have a favorite book, movie or series that you believe does a good job of humanizing the poor minion please share with me.
Welcome Friend! If you’ve gotten this far I venture to say you too are an avid fan of fantasy and science fiction. This blog is my attempt to explore this reality and what it means to be human. I feel strongly one of the best ways to accomplish this is through reading, writing and discussing fiction. I particularly find genres which allow the writer to bend the rules and create elements impossible in this world work best for my purposes. Who can resist the allure of delving deep into stories like Star Wars or The Silmarillion to ruminate on life? College professors find this material ripe for the picking when developing coursework for philosophy classes. How easily these tales bring to the forefront heavy, tantalizing questions attracts people who find themselves thinking beyond more mundane aspects of life. Fantasy and science fiction literature almost begs its readers to consider the tough issues. What does it mean to be sentient, alive or human? Why is there evil in the world? Why are we here in this unique universe? Who or what created us? How was everything formed? Are there other times, dimensions and worlds? This is just the tip of the existential thought iceberg. I propose humanity weaves tales instinctually as an attempt to try to understand itself and the world around.
I was six years old when Star Wars overtook the world in 1977. I’ll never forget first seeing the trailer for the movie. It was a hot, humid summer day in Ohio. I should have been out playing with the kids in my neighborhood. Instead I found myself in a waiting room at the local hospital. Sitting next to my mother, I was nervously awaiting impending doom. I was cursed with the common childhood blight of short eustachian tubes. This defect in my inner ears caused me countless, painful ear infections. My parents had agreed that I should undergo a minor procedure under anesthesia to alleviate symptoms. I was unhappy to say the least. I stood crying as my mother checked us in. The receptionist gave me a small little Pillsbury Doughboy figure to comfort me. Perhaps you remember him? He was the weird, white humanoid figure with a baker’s hat. On television commercials he giggled when someone poked his belly. He was a mascot for Pillsbury. They were plugging Pillsbury…flour… cake mix… croissants? Geez, I really don’t know what they were trying to sell! Funny how the memory works. Some things stick and others flee. I remember liking the smell of the plastic used in manufacturing the doll. Alas, the toy didn’t distract me. It did not stop my whining. Nothing could shake my fixation on the knowledge the dreaded ear doctor had signed the order for implanting tiny tubes in my ears to allow for better drainage. The ear doctor was a figure looming large in my life. He was more sinister than Darth Vader or Grand Moff Tarkin. To this day, having my ears poked and prodded at the ENT physician’s office is in my mind akin to what Princess Leia had to endure at the hands of the Imperial interrogators. Little floating robot with a huge hypodermic needle….bring it on….just don’t touch my ears! As I fussed and squirmed hoping against hope I would escape this operation my mom tried another way to distract me. She pointed out what was on the television. I looked up at this small, black and white tv with grainy resolution typical of the 1970s. No HDTV in those days! Adding insult to injury, the tv was suspending from the ceiling of the waiting room too! But lo! Lightening struck and the heavens moved! Flashing across the screen, etched forever in my memory was my first glimpse of the interior of the Millennium Falcon! It was just a promo clip being played on a local news program spotlighting the new film. The scene they showed was the iconic escape from the Death Star. I was hooked. The music, the action, the sense of heroism was scintillating. Harrison Ford was simply dashing as he sat in the gunner’s chair blasting away at pursuing tie fighters with radiant streaks of red laser. I like to think the brief encounter with the film gave me courage to face what I had to do. I survived the operation and a popsicle later I was back outside in the heat playing with my friends. I saw Star Wars later that month and every chance afterwards that I got. Back then you had to wait for it to be re-released. I am confident I watched it in the theaters and drive-ins at least 7-8 times that summer.
Now, my father taught at a local community college in those days. He was an engineer. His field was in packaging engineering to be exact. Sounds exciting doesn’t it!? He was an expert on designing boxes and ‘whatnot’ needed to protect items while being shipped and stored. I know it isn’t as exciting as aerospace engineering, but his job was soon to be an unbeknownst boon to me! He came home one day with toys… Star Wars toys! Not just one x-wing, but three! I was also laden with scores of actions figures and a land speeder too. To my little mind this was heaven on earth. Apparently, his department was doing a project with the toy manufacturer Kenner handling all Star Wars toys. Once the packages were used for educational purposes they were up for grabs! Dear ol’ dad was kind enough to bring them home to me. I was the only kid on the block to have three x-wings! I played Star Wars every day for years! Of course I collected more toys, ever expanding my ability to create my own storyline. You see, I didn’t reenact the movies. I wanted the chance to escape into that world and learn more about it. This involved inventing my own plots. Gosh, I must of witnessed the Rebels and the Empire clash thousands of times! This was the start of authoring my own stories, although I wouldn’t start to write them down until I was in middle school.
It still startles me to think how readily I took to Star Wars. Yes, just about every kid had seen the movie and most had the toys. But, I began to realize as I got older, I was different from a lot of my peers. I know now that Star Wars had tapped into something I yearned for at even that age. I dreamed of a more fantastical world populated with heroes, villains and the timeless battles between good and evil. I longed to do something of consequence… to save the day. That feeling has grown and evolved with me throughout my life. I went on to devour book upon book from many of the more well-known (and lesser known) science fiction and fantasy writers. I wrote my own stories in high school and even won a short story contest for a piece I entered for the school magazine. It is important to also tell you growing up I was raised in a comfortably lax Catholic home. I learned about God, Jesus and all the usual biblical stories. I understood what it meant to be good and how to avoid sin and evil. But, all that felt far off and disconnected. I liked the message…just not the story telling. I guess the first time I connected fantasy and science fiction with spirituality was when I was in college. I recall a friend expressing their wish they had more of a religious background. Asking why, I learned they had found it difficult time after time to truly grasp the religious undertones authors often explored in their literary works. I didn’t think much of her observation at the time. However having entered into adulthood with all its complexities, I drifted back to explore my own religious upbringing. This inevitably lead me to investigate other types of spirituality. I began to recognize religious and spiritual concepts within most if not all of the fiction I read. Throughout the make-believe stories were the same values, truths and lessons I learned in the real world.
Now middle-aged, I still proudly claim the title of sci-fi/fantasy geek, but I also consider myself a mystic. Before you accuse me of delusions of grandeur, I am not claiming to be a guru, theologian or shaman. The only wisdom I possess is a few scraps picked up from reading, going to church off and on throughout my life and of course from my own experiences. I would hesitate to guide anyone on any type of spiritual path. I claim to be a mystic in the sense that I am ever seeking to learn more of the spiritual side of life. Amusingly, I have for quite some time found myself having an epiphany right smack in the middle of watching a show like Battlestar Galactica, Sabrina or Supernatural. I am now more cognizant of the evolution of delightfully rich characters that defy the easy label of good or evil. Think of Spike from Buffy the Vampire Slayer or Stephen Donaldson’s Thomas Covenant, White Gold Wielder! Experiencing stories like these begs the question… can evil ultimately be made to serve the purpose of good? When we yearn for the villain to change sides, act good and aid the hero against an even greater threat we are likely to reflect on the true nature of judgement, sin and redemption. If we really dig deep… is it ok to mercilessly slaughter orcs or storm troopers? Do they have family and loved ones at home waiting? Did they sign up for their jobs? What informs their choices? Were they feed a line of convincing propaganda? I suspect the ‘masters of storytelling’ provide us plenty of clues to answer these questions. Ultimately as a new author, I dare to walk in their footsteps. My hope is my writing may, as others’ stories have for me, be a clarion call to awake from the material dream. So, with this first post on my blog, I invite you to join me as I explore life and all its messiness. Our guides will be the characters of fiction who allow us to safely experience without harm. In the end I suspect we will learn much about what it means to be human.